{"product_id":"used-faith-fmehg-bnc-higloss-mercury-electro","title":"USED - Faith FMEHG-BNC - HiGloss Mercury Electro","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eUsed but in great condition. Comes with hard case.\u003c\/h3\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eModel Overview\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA little beauty, this Mercury is a \u003cb data-mce-fragment=\"1\"\u003etraditional short-scale parlour\u003c\/b\u003emodel. With the neck joining the body at the 12th fret - rather than the 14th - the strings are held at a slightly lower tension than on regular models. Another implication of the 12th fret join is that the bridge is shifted further from the soundhole. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThese features result in a guitar that is \u003cb data-mce-fragment=\"1\"\u003ephysically easier to play, sounds much bigger than you would imagine\u003c\/b\u003e and is also \u003cb data-mce-fragment=\"1\"\u003esimple to handle and transport\u003c\/b\u003e. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFaith \u003cb data-mce-fragment=\"1\"\u003eHiGloss series\u003c\/b\u003e are designed to offer both visual and aural beauty. Using high grade \u003cb data-mce-fragment=\"1\"\u003eEnglemann Spruce\u003c\/b\u003e for the top and \u003cb data-mce-fragment=\"1\"\u003ehighly-figured Rosewood\u003c\/b\u003e for the back and sides, HiGloss models feature solid Flamed Maple binding and Macassan Ebony for the fingerboard, bridge, headplate and heelcap.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTonally, this combination of wood is generally \u003cb data-mce-fragment=\"1\"\u003ebright and 'zingy', delivering great clarity\u003c\/b\u003e. Visualising this as a frequency curve, it would be shaped like a smile: high on the bass, dipping down through the middle and rising once again at the top end, lending itself to fingerstyle and solo pieces in particular.\u003c\/p\u003e\n\u003cp class=\"related-similar\"\u003eSPECS\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTop Wood: Solid Engelmann Spruce\u003c\/li\u003e\n\u003cli\u003eBack Wood: Solid Rosewood\u003c\/li\u003e\n\u003cli\u003eSide Wood: Solid Rosewood\u003c\/li\u003e\n\u003cli\u003eBinding: Solid Flamed Maple\u003c\/li\u003e\n\u003cli\u003eBracing Material: Quarter-Sawn Spruce\u003c\/li\u003e\n\u003cli\u003eBracing Pattern: Patrick James Eggle X-Brace Design\u003c\/li\u003e\n\u003cli\u003eRosette: 5mm Abalone with Fibre Border\u003c\/li\u003e\n\u003cli\u003eNeck: Mahogany\u003c\/li\u003e\n\u003cli\u003eNeck Finish: Satin\u003c\/li\u003e\n\u003cli\u003eNeck Joint: Patrick James Eggle Bolt-On Design\u003c\/li\u003e\n\u003cli\u003eFingerboard: Macassan Figured Ebony\u003c\/li\u003e\n\u003cli\u003eFingerboard Radius: 16\"\u003c\/li\u003e\n\u003cli\u003eFingerboard Inlays: Mother of Pearl 'F' at 12th Fret\u003c\/li\u003e\n\u003cli\u003eMachine Head: Grover Rotomatic Gold\u003c\/li\u003e\n\u003cli\u003eTrussrod: 2 Way\u003c\/li\u003e\n\u003cli\u003eNut \/ Saddle: TUSQ (PQ-6116)\/(PQ-9110)\u003c\/li\u003e\n\u003cli\u003eNut Width: 43mm \/ String Spacing 55mm\u003c\/li\u003e\n\u003cli\u003eBridge: Macassan Figured Ebony\u003c\/li\u003e\n\u003cli\u003eBridge Pins: Macassan Figured Ebony with Abalone Dots\u003c\/li\u003e\n\u003cli\u003eFinish Type: High Gloss Top, Back and Sides\u003c\/li\u003e\n\u003cli\u003ePreamp \/ Pickup: Shadow Performer Tuner Preamp \/ Shadow Nanoflex Pickup\u003c\/li\u003e\n\u003cli\u003eHardcase: Included\u003c\/li\u003e\n\u003c\/ul\u003e\u003c!--amp.product-description.start--\u003cmeta\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eUsed but in great condition. Comes with hard case.\u003c\/h3\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eModel Overview\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA little beauty, this Mercury is a \u003cb data-mce-fragment=\"1\"\u003etraditional short-scale parlour\u003c\/b\u003emodel. With the neck joining the body at the 12th fret - rather than the 14th - the strings are held at a slightly lower tension than on regular models. Another implication of the 12th fret join is that the bridge is shifted further from the soundhole.\u0026nbsp;\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThese features result in a guitar that is \u003cb data-mce-fragment=\"1\"\u003ephysically easier to play, sounds much bigger than you would imagine\u003c\/b\u003e and is also \u003cb data-mce-fragment=\"1\"\u003esimple to handle and transport\u003c\/b\u003e.\u0026nbsp;\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFaith\u0026nbsp;\u003cb data-mce-fragment=\"1\"\u003eHiGloss series\u003c\/b\u003e\u0026nbsp;are designed to offer both visual and aural beauty. Using high grade\u0026nbsp;\u003cb data-mce-fragment=\"1\"\u003eEnglemann Spruce\u003c\/b\u003e\u0026nbsp;for the top and\u0026nbsp;\u003cb data-mce-fragment=\"1\"\u003ehighly-figured Rosewood\u003c\/b\u003e\u0026nbsp;for the back and sides, HiGloss models feature solid Flamed Maple binding and Macassan Ebony for the fingerboard, bridge, headplate and heelcap.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTonally, this combination of wood is generally\u0026nbsp;\u003cb data-mce-fragment=\"1\"\u003ebright and 'zingy', delivering great clarity\u003c\/b\u003e. Visualising this as a frequency curve, it would be shaped like a smile: high on the bass, dipping down through the middle and rising once again at the top end, lending itself to fingerstyle and solo pieces in particular.\u003c\/p\u003e\n\u003cp class=\"related-similar\"\u003eSPECS\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTop Wood: Solid Engelmann Spruce\u003c\/li\u003e\n\u003cli\u003eBack Wood: Solid Rosewood\u003c\/li\u003e\n\u003cli\u003eSide Wood: Solid Rosewood\u003c\/li\u003e\n\u003cli\u003eBinding: Solid Flamed Maple\u003c\/li\u003e\n\u003cli\u003eBracing Material: Quarter-Sawn Spruce\u003c\/li\u003e\n\u003cli\u003eBracing Pattern: Patrick James Eggle X-Brace Design\u003c\/li\u003e\n\u003cli\u003eRosette: 5mm Abalone with Fibre Border\u003c\/li\u003e\n\u003cli\u003eNeck: Mahogany\u003c\/li\u003e\n\u003cli\u003eNeck Finish: Satin\u003c\/li\u003e\n\u003cli\u003eNeck Joint: Patrick James Eggle Bolt-On Design\u003c\/li\u003e\n\u003cli\u003eFingerboard: Macassan Figured Ebony\u003c\/li\u003e\n\u003cli\u003eFingerboard Radius: 16\"\u003c\/li\u003e\n\u003cli\u003eFingerboard Inlays: Mother of Pearl 'F' at 12th Fret\u003c\/li\u003e\n\u003cli\u003eMachine Head: Grover Rotomatic Gold\u003c\/li\u003e\n\u003cli\u003eTrussrod: 2 Way\u003c\/li\u003e\n\u003cli\u003eNut \/ Saddle: TUSQ (PQ-6116)\/(PQ-9110)\u003c\/li\u003e\n\u003cli\u003eNut Width: 43mm \/ String Spacing 55mm\u003c\/li\u003e\n\u003cli\u003eBridge: Macassan Figured Ebony\u003c\/li\u003e\n\u003cli\u003eBridge Pins: Macassan Figured Ebony with Abalone Dots\u003c\/li\u003e\n\u003cli\u003eFinish Type: High Gloss Top, Back and Sides\u003c\/li\u003e\n\u003cli\u003ePreamp \/ Pickup: Shadow Performer Tuner Preamp \/ Shadow Nanoflex Pickup\u003c\/li\u003e\n\u003cli\u003eHardcase: Included\u003c\/li\u003e\n\u003c\/ul\u003e--amp.product-description.end--\u003e","brand":"Faith","offers":[{"title":"Default Title","offer_id":54937305678151,"sku":"usedfaithmercury","price":214.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/7570\/0551\/files\/0c0b04c60863265b2eb0acaac46a405c.jpg?v=1788897334","url":"https:\/\/tonedistrict.shop\/products\/used-faith-fmehg-bnc-higloss-mercury-electro","provider":"Tone District","version":"1.0","type":"link"}